Director: Pere Portabella
1970, 75', b&w
English with Turkish subtitles
Shot opportunistically in 16mm with sound negative on the set of Jesús Franco’s Count Dracula, Pere Portabella’s parasite film is, in his own words, ‘a film within a film, a discourse within a discourse, in other words, a “bloodsucking film” of another.’ A filmic landmark of the Spanish anti-establishment cinema of the 1960s and 70s, Portabella’s Vampir-Cuadecuc exemplifies the clandestine strategies employed by avant-garde filmmakers under the dictatorship of Francisco Franco.
Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts.
Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
