Directors: Marta Rodriguez, Jorge Silva
1975, 51', b&w
Spanish with Turkish subtitles
Why and how do peasant and indigenous communities pass from social submission to a process of organisation? This question drove the making of Marta Rodriguez and Jorge Silva’s Campesinos, airing a masterful poetics of the portrait with Brechtian re-enactments of working conditions on colonial coffee plantations in 1970s Colombia. The documentary is at once a call to self-organisation and revolt, and a lucid analysis of indigenous struggle and the significance of land.
Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
As the New Year approaches, Pera Film presents an alternative watchlist of 10 movies, ranging from Hollywood's timeless classics to memorable examples of modern cinema.
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