Cemetery

  • September 17, 2022 / 18:00

Director: Carlos Casas
2019, 85', HDD, color
Sinhalese, English with Turkish subtitles

Carlos Casas’ Cemetery begins as the endangered elephant Nga and his mahout Sanra prepare for their last journey, soon to be tracked by poachers possessed by fables about a mythical elephant graveyard. As the poachers die mysteriously, one after another, the adventure film unfolds into a spacious cinematic experiment, carrying viewers to the ancient animal’s demise and far beyond. With the film’s allegorical passage through the stages of death, the indexical image is gradually subsumed by a rich sonic journey.

Cemetery

Cemetery

Leviathan

Leviathan

Taking the Horse to Eat Jalebis

Taking the Horse to Eat Jalebis

From the Pole to the Equator

From the Pole to the Equator

Expedition Content

Expedition Content

Where is the Friend’s House?

Where is the Friend’s House?

Taking Pictures

Taking Pictures

Cannibal Tours

Cannibal Tours

Vampir-Cuadecuc

Vampir-Cuadecuc

 Peasants

Peasants

Pacific 3, 2, 1, Zero (Part 1)

Pacific 3, 2, 1, Zero (Part 1)

the time is now. (I+II)

the time is now. (I+II)

Landscape #4: How to Improve the World

Landscape #4: How to Improve the World

Letters from Panduranga

Letters from Panduranga

Europium

Europium

Tellurian Drama

Tellurian Drama

Post-Military Cinema

Post-Military Cinema

Some Questions on the Nature of Your Existence

Some Questions on the Nature of Your Existence

A hook but no fish

A hook but no fish

Mud Man

Mud Man

Returning Souls

Returning Souls

{if your bait can sing the wild one will come} Like Shadows Through Leaves

{if your bait can sing the wild one will come} Like Shadows Through Leaves

SAMİH RİFAT : BEFORE THE DEATH OF THE AUTHOR

SAMİH RİFAT : BEFORE THE DEATH OF THE AUTHOR

Esra Özdoğan

To Elif

Old Loyalties
The short list of words that one feels one must resort to, but I will nevertheless try to refrain from using: Multifaceted, of a

Turquerie

Turquerie

Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts. 

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.