2019, 48', color
the time is now. (I+II) is Holzfeind’s filmic portrait of Japanese shamanic improvisation duo IRO, who merge political activism and a sustainable lifestyle with punk-influenced musical experimentation, 1970s Free Jazz, ancient Shinto rituals and indigenous ceremonies. The work juxtaposes IRO’s performances at Takasama Yosizaka’s Inter-University Seminar House in Hachioji, Tokyo, designed in 1964, with a video recording of their last punk concert in 1986 and found footage of protest movements from the 1970s until today.
Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
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