Post-Military Cinema

  • November 12, 2022 / 15:00

Director: Beatriz Santiago Muñoz
2014, 11', color

Post-Military Cinema was shot in Ceiba, Puerto Rico, in a cinema that was once part of the Roosevelt Roads US Naval Base. The cinema apparatus—light, audience, projections, sound—offers up frames through which Santiago Muñoz regards new events taking place in the defunct architecture. A beekeeper manages the bees that are part of the soundtrack; afternoon light streams in for about an hour each day, projecting images of the forest that has reclaimed the base since its closure.

Cemetery

Cemetery

Leviathan

Leviathan

Taking the Horse to Eat Jalebis

Taking the Horse to Eat Jalebis

From the Pole to the Equator

From the Pole to the Equator

Expedition Content

Expedition Content

Where is the Friend’s House?

Where is the Friend’s House?

Taking Pictures

Taking Pictures

Cannibal Tours

Cannibal Tours

Vampir-Cuadecuc

Vampir-Cuadecuc

 Peasants

Peasants

Pacific 3, 2, 1, Zero (Part 1)

Pacific 3, 2, 1, Zero (Part 1)

the time is now. (I+II)

the time is now. (I+II)

Landscape #4: How to Improve the World

Landscape #4: How to Improve the World

Letters from Panduranga

Letters from Panduranga

Europium

Europium

Tellurian Drama

Tellurian Drama

Post-Military Cinema

Post-Military Cinema

Some Questions on the Nature of Your Existence

Some Questions on the Nature of Your Existence

A hook but no fish

A hook but no fish

Mud Man

Mud Man

Returning Souls

Returning Souls

{if your bait can sing the wild one will come} Like Shadows Through Leaves

{if your bait can sing the wild one will come} Like Shadows Through Leaves

Marcel Duchamp’s Bicycle Wheel

Marcel Duchamp’s Bicycle Wheel

In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art. 

I Copy Therefore I Am

I Copy Therefore I Am

Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.

Turquerie

Turquerie

Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts.