Director: Bernardo Bertolucci
Cast: Jean-Louis Trintignant, Stefania Sandrelli, Gastone Moschin, Enzo Tarascio, Fosco Giachetti, José Quaglio, Dominique Sanda, Pierre Clémenti
Italy-France-West Germany, 1970, 111’, color, Italian, French with Turkish subtitles
The story of the film takes place in the 1930s and 40s, during and after Mussolini’s time in power, and depicts the warm embrace given to fascism by the Italian bourgeoisie personified in a young man; the result is a study of the socio-psychological roots of fascist ideology. This weak-willed “conformist” young man (Trintignant), who has bowed to social hysteria and accepted the new order without in the least questioning it, tries to come to terms with his past while becoming a hit man for his country in another country. In essence, The Conformist is a handbook for social advancement written for young men of the fascist era or an indictment against fascist collaborators. Premiered at the Berlin Film Festival in 1970, the film was nominated for the Golden Bear Award, receiving the “Interfilm Award” and the “Journalists’ Special Award”.
Trailer
In 1962 Philip Corner, one of the most prominent members of the Fluxus movement, caused a great commotion in serious music circles when during a performance entitled Piano Activities he climbed up onto a grand piano and began to kick it while other members of the group attacked it with saws, hammers and all kinds of other implements.
Each memory tells an intimate story; each collection presents us with the reality of containing an intimate story as well. The collection is akin to a whole in which many memories and stories of the artist, the viewer, and the collector are brought together. At the heart of a collection is memory, nurtured from the past and projecting into the future.
It can be seen how Goya gradually and constantly investigated all the technical possibilities of creative engraving from etching to lithography.
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