Director: Lütfi Ö. Akad
Cast: Hülya Koçyiğit, Kerem Yılmazer, Kahraman Kıral, Ali Şen, Kamran Usluer, Aliye Rona
Turkey, 1973, 93’, color, In Turkish
Made in 1973, Bride is the first film of Ömer Lütfi Akad’s Bride-Wedding-Blood Money trilogy depicting the immigration problem in Turkey, and holds a special place in the history of Turkish cinema. The film tells the story of a crowded family that has migrated from inner Anatolia to Istanbul in search of better living conditions, losing their values and disintegrating in face of big city life and the system that grinds people down, changes them, and makes them subservient to money and power. The efforts of this big and traditional family of adapting to life in Istanbul are accompanied by dreams of becoming rich. The film pits humane values against the ambition to become rich as it depicts the tragedy of the family, which is great, but humanity wins in the end.
In the 60s, Alberto Giacometti paid homage to Paris, the city where he lived, by drawing its streets, cafés, and more private places like his studio and the apartment of his wife, Annette. These drawings would make up his last book, Paris sans fin (Paris Without End).
Today we are thrilled to present the third playlist of Amrita Hepi’s Soothsayer Serenades series as part of the Notes for Tomorrow exhibition. The playlist titled Serenades to the Sun is presented by Kornelia Binicewiczon Pera Museum’s Spotify account.
Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
