Director: Luchino Visconti
Cast: Alain Delon, Renato Salvatori, Annie Girardot, Claudia Cardinale, Spýros Fokás, Katína Paxinoú
Italy, France, 1960, 192’, black & white; Italian Turkish subtitles
Directed by Luchino Visconti in 1960, Rocco and His Brothers is one of the pioneering films of Italian neorealism, depicting the story of a family running away from the poverty of Southern Italy and trying to make a living in industrial Milan. The film narrates the experiences of five brothers – Vincenzo, Simone, Rocco, Ciro, and Luca. Rosari, their mother, believes that her eldest son Vincenzo will help them out of poverty because he had moved to the city earlier. Simone, who is a boxer, and Rocco (Alain Deleon), who will become one, face it out over a woman. The film has a unique place in the history of cinema with its realistic narration and occasionally pessimistic but deep observations on human nature.
Trailer
He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
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