Director: Luchino Visconti
Cast: Alain Delon, Renato Salvatori, Annie Girardot, Claudia Cardinale, Spýros Fokás, Katína Paxinoú
Italy, France, 1960, 192’, black & white; Italian Turkish subtitles
Directed by Luchino Visconti in 1960, Rocco and His Brothers is one of the pioneering films of Italian neorealism, depicting the story of a family running away from the poverty of Southern Italy and trying to make a living in industrial Milan. The film narrates the experiences of five brothers – Vincenzo, Simone, Rocco, Ciro, and Luca. Rosari, their mother, believes that her eldest son Vincenzo will help them out of poverty because he had moved to the city earlier. Simone, who is a boxer, and Rocco (Alain Deleon), who will become one, face it out over a woman. The film has a unique place in the history of cinema with its realistic narration and occasionally pessimistic but deep observations on human nature.
Trailer
A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.
It can be seen how Goya gradually and constantly investigated all the technical possibilities of creative engraving from etching to lithography.
Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts.
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