Director: Francesco Rosi
Cast: Salvo Randone, Frank Wolff, Sennuccio Benelli, Giuseppe Calandra, Pietro Cammarata, Max Cartier
Italy, 1962, 107’, black & white, Italian with Turkish subtitles
This crime and mafia film brought Francesco Rosi international fame and was the first example of his unique mosaic style. Based on the life story of Salvatore Giuliano, a Sicilian bandit and folk hero who played a key role in Sicily’s guerilla war for independence after the war and later turned into a mafia leader, the film begins with Giuliano’s murder in 1950 and narrates with flashbacks how he became a bandit, attacking communists and fighting security forces. Eventually, Giuliani becomes so cruel that even his own men desert him.
Trailer
While Paula Rego belatedly was recognised as one of the leading feminist pioneers of her age, little has been written about her exploration of fluid sexuality. Indeed the current of sado-masochism in her drawings and paintings, has tended to encourage an understanding as a classic clash between the patriarchy and exploited women.
Three people sleeping side by side. On the uncomfortable seats of the stuffy airplane in the air. Three friends. I’m the friend in the window seat. The other two are a couple, Emre and Melisa. I’m alone, they are together. And another difference. I’ve only closed my eyes. They are asleep.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
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