Director: Ingmar Bergman
Cast: Bibi Andersson, Liv Ullmann, Margaretha Krook, Gunnar Björnstra, Jörgen Lindström
Sweden, 1966, 84’, black & white, Swedish with Turkish subtitles
Elisabet Vogler, the famous actress, suddenly falls silent during a performance of Electra one night, and never speaks again. She is first treated at a clinic, after which her doctor sends her away to the seaside, accompanied by a nurse, so that she can get some rest. The two women become friends. Elisabet’s silence moves Alma to open up and talk about herself. However, when it is revealed that Elisabet has reported her confessions to the doctor in a letter, a deep crisis ensues between the two. Regarding this film, Bergman said, “I believe I have gone as far as I could with Persona. I feel I have touched upon secrets that only cinema can reveal, in great freedom and without using words.” The film is ranked 17th among the best films of all times.
Trailer
When the Royal Academy of Arts offered Stephen Chambers the opportunity to produce new work for a focused exhibition in the Weston Rooms of the Main Galleries, Chambers turned to print and the possibilities it offered.
The exhibition “Look At Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection” examined portraiture, one of the oldest artistic genres, through a significant number of works of our times. Paintings, photographs, sculptures and videos shaped a labyrinth of gazes that invite spectators to reflect themselves in the social mirror of portraits.
1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.
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