Marketa Lazarová

  • November 19, 2016 / 13:00
  • December 3, 2016 / 18:00

Director: František Vláčil
Cast: Josef Kemr, Magda Vásáryová, Naďa Hejná
Music: Zdeněk Liška
Czechia (Czechoslovakia), 1967, 162’, black & white

Czech, German with Turkish subtitles

Based on a novel by Vladislav Vančura, this stirring and poetic depiction of a feud between two rival medieval clans is a fierce, epic, and meticulously designed evocation of the clashes between Christianity and paganism, humankind and nature, love and violence. Vláčil’s approach was to re-create the textures and mentalities of a long-ago way of life, rather than to make a conventional historical drama, and the result is dazzling. With its inventive widescreen cinematography, editing, and sound design, Marketa Lazarová is an experimental action film.

Marketa Lazarová

Marketa Lazarová

The Insanely Sad Princess

The Insanely Sad Princess

The Return of Dragon

The Return of Dragon

Birds, Orphans and Fools

Birds, Orphans and Fools

The Copper Tower

The Copper Tower

Johnny Corncob

Johnny Corncob

Ballad for the Bandit

Ballad for the Bandit

Stephen the King

Stephen the King

The Double Life of Veronique

The Double Life of Veronique

All That I Love

All That I Love

The Queen of Silence

The Queen of Silence

Balaton Method

Balaton Method

Trailer

Marketa Lazarová

Today's Stories: Felis <br> Hande Ortaç

Today's Stories: Felis
Hande Ortaç

Inspired by the exhibition Istanbuls Today, Today's Stories series continues with Hande Ortaç's story "Felis"! This series gathers short stories written by authors encouraged by the photographs in the exhibition.

Postcard Nudes

Postcard Nudes

The various states of viewing nudity entered the Ottoman world on postcards before paintings. These postcards appeared in the 1890s, and became widespread in the 1910s, following the proclamation of the Second Constitutional Monarchy, traveling from hand to hand, city to city. 

Bosphorus at the Orientalist Paintings

Bosphorus at the Orientalist Paintings

The Bosphorus, which divides the city from north to south, separates two continents, renders Istanbul distinct for western painters, offers the most picturesque spectacles for western artists.