Marketa Lazarová

  • November 19, 2016 / 13:00
  • December 3, 2016 / 18:00

Director: František Vláčil
Cast: Josef Kemr, Magda Vásáryová, Naďa Hejná
Music: Zdeněk Liška
Czechia (Czechoslovakia), 1967, 162’, black & white

Czech, German with Turkish subtitles

Based on a novel by Vladislav Vančura, this stirring and poetic depiction of a feud between two rival medieval clans is a fierce, epic, and meticulously designed evocation of the clashes between Christianity and paganism, humankind and nature, love and violence. Vláčil’s approach was to re-create the textures and mentalities of a long-ago way of life, rather than to make a conventional historical drama, and the result is dazzling. With its inventive widescreen cinematography, editing, and sound design, Marketa Lazarová is an experimental action film.

Marketa Lazarová

Marketa Lazarová

The Insanely Sad Princess

The Insanely Sad Princess

The Return of Dragon

The Return of Dragon

Birds, Orphans and Fools

Birds, Orphans and Fools

The Copper Tower

The Copper Tower

Johnny Corncob

Johnny Corncob

Ballad for the Bandit

Ballad for the Bandit

Stephen the King

Stephen the King

The Double Life of Veronique

The Double Life of Veronique

All That I Love

All That I Love

The Queen of Silence

The Queen of Silence

Balaton Method

Balaton Method

Trailer

Marketa Lazarová

Bosphorus at the Orientalist Paintings

Bosphorus at the Orientalist Paintings

The Bosphorus, which divides the city from north to south, separates two continents, renders Istanbul distinct for western painters, offers the most picturesque spectacles for western artists.

Giacometti: Early Works

Giacometti: Early Works

Organized in collaboration with the Giacometti Foundation, Paris, the exhibition explores Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece. Devoted to Giacometti’s early works, the first part of the exhibition demonstrates the influence of Giovanni Giacometti, the father of the artist and a Swiss Post-Impressionist painter himself, on Giacometti’s output during these years and his role in his son’s development. 

It’s better to burn out than to fade away

It’s better to burn out than to fade away

In 1962 Philip Corner, one of the most prominent members of the Fluxus movement, caused a great commotion in serious music circles when during a performance entitled Piano Activities he climbed up onto a grand piano and began to kick it while other members of the group attacked it with saws, hammers and all kinds of other implements.