Director: Jean Vigo
Cast: Michel Simon, Dita Parlo, Jean Dasté, Gilles Margaritis, Louis Lefebvre, Raphaël Diligent
France, 1934, 89’, black & white; French with Turkish subtitles
Imagine a film directed from a deathbed, with the director dying shortly after the premier. That’s L’Atalante (eponymous with a character from Greek mythology); it is also one of the most important films of the history of cinema with its poeticism, which also inspired Emir Kusturica’s Underground. In order to break free of life’s monotony, Juliette marries Jean, who operates a steamboat. Old Père Jules makes life on the steamboat particularly difficult. Egged on by a peddler, Juliette runs off to discover Paris. Her husband first gets mad at her, then leaves her, and finally ends up in depression. After a while, Père Jules goes after Juliette, finds her, and together they return to the steamboat.
Trailer
Byzantine medical art was grounded in the Greco-Roman medicine transmitted by Hippocrates and Galen and new concepts introduced by such physicians as Oribasios of Pergamon, Aetius of Amida, Alexander of Tralles and Paul of Aegina.
Based on similar examples by the European painters in various collections, this work is one of the portraits of Mihrimah Sultan, who was depicted rather often in the 16th century.
Works by a large number of students from the Academy of Fine Arts in Sarajevo deal with current and often painful themes from the socio-political, economic and cultural reality, raising awareness, appealing, warning, opening issues and offering new interpretations.
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