Director: Neil Crombie
Cast: Grayson Perry
United Kingdom, 2014, 3 episodes 50 minutes each, color
English with Turkish subtitles
In a culture saturated with selfies, the moment when an artist tries to cut through the noise and nail us in a single image – an image intended to define us for posterity – has taken on a new significance. In each of these films, Grayson spends time with Britons facing a moment in their lives when they need to define who they are and then distil his impressions of each of them into a portrait. Some of the sitters have become miniatures, some large tapestries, some statues and, of course, some pots, but all of the works will be shown alongside portraits of the permanent collection of the National Portrait Gallery in a special display timed to accompany transmission. In the course of each film, viewers will get to know each sitter along with Grayson, and in the climactic scene of each we’ll see them making their way past kings, queens, generals and politicians to get their first sight of themselves through Grayson’s eyes. Among the sitters are a young transgender man, Loyalists in Northern Ireland, former Cabinet minister Chris Huhne (who was interviewed by Grayson the day he was released from prison), deaf parents, a Muslim convert, a couple living with Alzheimers, and X-Factor and Celebrity Big Brother contestant Rylan Clark.
Trailer
Isabel Muñoz is a Spanish photographer renowned for her captivating monochromatic portraits of individuals and cultures from around the world. Her works have been widely exhibited in numerous galleries and museums globally.
The Suna and İnan Kıraç Foundation’s Orientalist Painting Collection includes two children’s portraits that are often featured in exhibitions on the second floor of the Pera Museum. These portraits both date back to the early 20th century, and were made four years apart. One depicts Prince Abdürrahim Efendi, son of Sultan Abdulhamid II, while the figure portrayed on the other is Nazlı, the daughter of Osman Hamdi Bey.
In this piece, Żmurko presents an exotic image of a harem chamber, replete with gleaming fabrics and scattered jewels, as a setting for the statuesquely beautiful body of an odalisque murdered “at the order of the padishah”.
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