Director: Neil Crombie
Cast: Grayson Perry
United Kingdom, 2014, 3 episodes 50 minutes each, color
English with Turkish subtitles
In a culture saturated with selfies, the moment when an artist tries to cut through the noise and nail us in a single image – an image intended to define us for posterity – has taken on a new significance. In each of these films, Grayson spends time with Britons facing a moment in their lives when they need to define who they are and then distil his impressions of each of them into a portrait. Some of the sitters have become miniatures, some large tapestries, some statues and, of course, some pots, but all of the works will be shown alongside portraits of the permanent collection of the National Portrait Gallery in a special display timed to accompany transmission. In the course of each film, viewers will get to know each sitter along with Grayson, and in the climactic scene of each we’ll see them making their way past kings, queens, generals and politicians to get their first sight of themselves through Grayson’s eyes. Among the sitters are a young transgender man, Loyalists in Northern Ireland, former Cabinet minister Chris Huhne (who was interviewed by Grayson the day he was released from prison), deaf parents, a Muslim convert, a couple living with Alzheimers, and X-Factor and Celebrity Big Brother contestant Rylan Clark.
Trailer
Objects also bear the memory of the geography to which they relate. Ceramics, with soil as their primary material, are directly linked to the land where they are produced: forging a direct relationship with earth, ceramics bear the memory of the soil where they come from.
Félix Ziem is accepted as one of the well-known artists of the romantic landscape painting, and has been followed closely by art lovers and collectors of all periods since. He had a profound influence on generations of artists after him, and was the first artist whose works were acquired by the Louvre while he was still alive.
“A nameless Egyptian fresco, an African idol or a vase from Crete: we should behold Pirosmani’s art among them. Only this way it is possible to conceive it genuinely … …You see Pirosmani – you believe in Georgia”.
Grigol Robakidze
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