Director: Neil Crombie
Cast: Grayson Perry
United Kingdom, 2014, 3 episodes 50 minutes each, color
English with Turkish subtitles
In a culture saturated with selfies, the moment when an artist tries to cut through the noise and nail us in a single image – an image intended to define us for posterity – has taken on a new significance. In each of these films, Grayson spends time with Britons facing a moment in their lives when they need to define who they are and then distil his impressions of each of them into a portrait. Some of the sitters have become miniatures, some large tapestries, some statues and, of course, some pots, but all of the works will be shown alongside portraits of the permanent collection of the National Portrait Gallery in a special display timed to accompany transmission. In the course of each film, viewers will get to know each sitter along with Grayson, and in the climactic scene of each we’ll see them making their way past kings, queens, generals and politicians to get their first sight of themselves through Grayson’s eyes. Among the sitters are a young transgender man, Loyalists in Northern Ireland, former Cabinet minister Chris Huhne (who was interviewed by Grayson the day he was released from prison), deaf parents, a Muslim convert, a couple living with Alzheimers, and X-Factor and Celebrity Big Brother contestant Rylan Clark.
Trailer
Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.
Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humourous eye over ‘historical’ events, both imagined and factual.
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