Director: Neil Crombie
Cast: Grayson Perry
United Kingdom, 2014, 3 episodes 50 minutes each, color
English with Turkish subtitles
In a culture saturated with selfies, the moment when an artist tries to cut through the noise and nail us in a single image – an image intended to define us for posterity – has taken on a new significance. In each of these films, Grayson spends time with Britons facing a moment in their lives when they need to define who they are and then distil his impressions of each of them into a portrait. Some of the sitters have become miniatures, some large tapestries, some statues and, of course, some pots, but all of the works will be shown alongside portraits of the permanent collection of the National Portrait Gallery in a special display timed to accompany transmission. In the course of each film, viewers will get to know each sitter along with Grayson, and in the climactic scene of each we’ll see them making their way past kings, queens, generals and politicians to get their first sight of themselves through Grayson’s eyes. Among the sitters are a young transgender man, Loyalists in Northern Ireland, former Cabinet minister Chris Huhne (who was interviewed by Grayson the day he was released from prison), deaf parents, a Muslim convert, a couple living with Alzheimers, and X-Factor and Celebrity Big Brother contestant Rylan Clark.
Trailer
A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.
Organized in collaboration with the Giacometti Foundation, Paris, the exhibition explores Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece. Devoted to Giacometti’s early works, the first part of the exhibition demonstrates the influence of Giovanni Giacometti, the father of the artist and a Swiss Post-Impressionist painter himself, on Giacometti’s output during these years and his role in his son’s development.
Following the opening of his studio, “El Chark Societe Photographic,” on Beyoğlu’s Postacılar Caddesi in 1857, the Levantine-descent Pascal Sébah moves to yet another studio next to the Russian Embassy in 1860 with a Frenchman named A. Laroche, who, apart from having worked in Paris previously, is also quite familiar with photographic techniques.
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