Director: Carlo Lavagna
Italy, 2015, BluRay, color, 84’
Arianna was born three times: once at the beginning of her life, again a few years later as a little girl, and once more at age 19. Director Carlo Lavagna's first feature tells the story of a young woman who, as she becomes more aware of her body and sexuality, also becomes more aware that something may be amiss.
Arianna spends a great deal of time comparing herself to other girls her age—she has to wear a hormone patch to help the development of her breasts and, hopefully, bring on her first period. After telling her parents to leave her behind at her childhood lake house over the summer to study, that's exactly what Arianna does: She studies her body, her strengths and weaknesses when it comes to her sexuality, and even investigates her medical records to solve the mystery of herself. Lavagna's belated coming-of-age film is a gentle and introspective look at the subject of intersexuality and the emotional isolation one woman faces on her journey of self-discovery.
He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
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