The Nest

  • January 27, 2017 / 21:30

Director: Filipe Matzembacher, Marcio Reolon
Cast: Nicolas Vargas, Sophia Starosta, Luiz Paulo Vasconcellos
Brazil, 2016, BluRay, color, 100’

Young directors Reolon and Matzembacher whose fiction "Seashore" was appraised in last year's edition, are back screen with 4 colorful episodes each lasts 25 minutes.

Four exuberant, colorful episodes plunge us into the long nights and hazy mornings of a group of young bohemians and the army boy they adopt as one of their own.  As the film's young heroes battle homophobia and gender discrimination of all kinds, they remain empowered by each other, dancing through it all, and their sense of pride is truly inspiring.

#BKKY

#BKKY

Arianna

Arianna

James Baldwin Selection

James Baldwin Selection

Glitch FF Selection: Persistence of Memory

Glitch FF Selection: Persistence of Memory

Who's Gonna Love Me Now?

Who's Gonna Love Me Now?

Portrait of Jason

Portrait of Jason

First Girl I Loved

First Girl I Loved

The Nest

The Nest

What He Did

What He Did

You’ll Never Be Alone

You’ll Never Be Alone

Real Boy

Real Boy

The Watermelon Woman

The Watermelon Woman

queer (ab)uses of archives

queer (ab)uses of archives

Shaping Forms  The Migrant Body / Shaping Ideologies

Shaping Forms The Migrant Body / Shaping Ideologies

Constituting the entirety of all the perceived aspects of an object creating their own order, form not only contains visual elements and characteristics, but can also help elucidate concepts. 

Audience with the Mad King

Audience with the Mad King

Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humourous eye over ‘historical’ events, both imagined and factual.

A Photographer’s Biography Pascal Sebah

A Photographer’s Biography Pascal Sebah

Following the opening of his studio, “El Chark Societe Photographic,” on Beyoğlu’s Postacılar Caddesi in 1857, the Levantine-descent Pascal Sébah moves to yet another studio next to the Russian Embassy in 1860 with a Frenchman named A. Laroche, who, apart from having worked in Paris previously, is also quite familiar with photographic techniques.