queer (ab)uses of archives

Although it reminds us the dusty closets, the definition of archive gets even more blurry, while we are documenting our each day and clicking “archived” status for e-mails. Like all nonhegomonics who struggle to create alternative historicities instead of grand narratives, queers, being aware of practices of inclusion and exclusion strategies of archiving, brings the question of creating new archives against the History based on denial. This section called “queer (ab)uses of archives”, seeks for a queer remedy to the politics of memory and of forgetting with the films queering the archival materials by using creative collages. with different kinds of archival materials and thus creating new narratives. Films gathering 8mm home movies, the well-known film footages with intimate testimonies are in search of queer histories.  Esra Özban

Click here to take a look at the selection.

#BKKY

#BKKY

Arianna

Arianna

James Baldwin Selection

James Baldwin Selection

Glitch FF Selection: Persistence of Memory

Glitch FF Selection: Persistence of Memory

Who's Gonna Love Me Now?

Who's Gonna Love Me Now?

Portrait of Jason

Portrait of Jason

First Girl I Loved

First Girl I Loved

The Nest

The Nest

What He Did

What He Did

You’ll Never Be Alone

You’ll Never Be Alone

Real Boy

Real Boy

The Watermelon Woman

The Watermelon Woman

queer (ab)uses of archives

queer (ab)uses of archives

Symbols

Symbols

Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.

Loading Limit

Loading Limit

Pera Museum presented a talk on Nicola Lorini’s video installation For All the Time, for All the Sad Stones, bringing together the artists Nicola Lorini, Gülşah Mursaloğlu and Ambiguous Standards Institute to focus on concepts like measuring, calculation, standardisation, time and change.

Giacometti & the Human Figure

Giacometti & the Human Figure

Giacometti worked nonstop on his sculptures, either from nature or from memory, trying to capture the universal facial expressions.