Director: Cheryl Dunye
Cast: Cheryl Dunye, Guinevere Turner, Valarie Walker
USA, 1996, BluRay, color, 90’
Set in Philadelphia, the film is the story of Cheryl, a twenty-something black lesbian struggling to make a documentary about Fae Richards, a beautiful and elusive 1930s black film actress popularly known as "The Watermelon Woman." While uncovering the meaning of Fae Richards' life, Cheryl experiences a total upheaval of her personal life. Her love affair with Diana, beautiful white woman, and her interactions with the gay and black communities are subject to the comic yet biting criticism of her best friend Tamara. Meanwhile, each answer Cheryl discovers about The Watermelon Woman evokes a flurry of new questions about herself and her future. At the film’s conclusion, the Watermelon Woman is clearly a metaphor for Cheryl's search for identity, community, and love.
Our institutions have been stuck on linear Neo-Platonic tracks for 24 centuries. These antiquated processes of deduction have lost their authority. Just like art it has fallen off its pedestal. Legal, educational and constitutional systems rigidly subscribe to these; they are 100% text based.
Following the opening of his studio, “El Chark Societe Photographic,” on Beyoğlu’s Postacılar Caddesi in 1857, the Levantine-descent Pascal Sébah moves to yet another studio next to the Russian Embassy in 1860 with a Frenchman named A. Laroche, who, apart from having worked in Paris previously, is also quite familiar with photographic techniques.
Although mythological themes are not commonly encountered in Turkish painting, it is possible to see variations of widespread themes such as the Venus at her Toilet.
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