Director: Shaleece Haas
USA, 2016, BluRay, color, 72’
‘A son’s transition. A mom’s transformation.’
Bennett Wallace is a charismatic teenager on the brink of adulthood. As he navigates the ups and downs of gender transition and grapples with a history of substance abuse, Bennett embarks on a journey to find his voice—as a musician, a friend, a son, and a man.
Filmed over four years, “Real Boy” follows the evolution of Bennett's relationship with his mother Suzy, who has deep misgivings about his transition. As Suzy struggles to come to terms with his decision, Bennett is taken under the wing of his idol Joe Stevens, a celebrated transgender musician fighting his own demons.
“Real Boy” explores the complexity of addiction, the healing power of music, and the importance of family, both given and chosen.
The exhibition “Look At Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection” examined portraiture, one of the oldest artistic genres, through a significant number of works of our times. Paintings, photographs, sculptures and videos shaped a labyrinth of gazes that invite spectators to reflect themselves in the social mirror of portraits.
He didn’t expect this from me. And I hadn’t expected that we would decide to get married that day, at that moment. Everything happened all of a sudden, but exactly like it was supposed to happen in our day. We thought of the idea of marriage simultaneously, we smiled simultaneously, blinking and opening our eyes in unison.
The second part of exhibition illustrates Alberto Giacometti’s relations with Post-Cubist artists and the Surrealist movement between 1922 and 1935, one of the important sculptures series he created during his first years in Paris, and the critical role he played in the art scene of the period.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)