Director: Federico Fellini
Cast: Marcello Mastroianni, Anouk Aimée, Sandra Milo, Claudia Cardinale, Rossella Falk, Barbara Steele
Italy, France, 1963, 138’, black & white, Italian with Turkish subtitles
8 1/2 is a 1963 film written and directed by Federico Fellini. The world-famous Italian director Guido Anselmi is smack in the middle of a creative and personal crisis. He is working on a number of new film projects, but his childhood memories and sexual fantasies won’t leave him alone. The director has a hard time finding meaning in life and cannot begin working on his new film. He inevitably turns inward to reassess the key events in his life: his childhood, the church, his relations with his family, the women, and a myriad of nightmares accompanying each one of these... Maybe his new film should be based on this material. Guido begins to contemplate the absurdity of his profession, his relation with art and the opposite sex, and the meaning of human existence. The film moves through the tunnels of existence and human nature, addressing with great aesthetical grace the fundamental areas of interest for cinema in terms of the relation between society and the inner world of the individual.
Trailer
A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.
Giorgio de Chirico was born on July 10, 1888, in Volos, Greece, to an Italian family. His mother, Gemma Cervetto, was from a family of Genoa origin, but most likely she was born in Izmir. His father, Evaristo, was born on June 21, 1841 in the Büyükdere district of Istanbul.
The second part of exhibition illustrates Alberto Giacometti’s relations with Post-Cubist artists and the Surrealist movement between 1922 and 1935, one of the important sculptures series he created during his first years in Paris, and the critical role he played in the art scene of the period.
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