Director: Alex Anwandter
Cast: Sergio Hernández, Andrew Bargsted, Jaime Leiva, Edgardo Bruna
Chile, 2016, BluRay, color, 82’
Nothing makes us so lonely as our secrets.
After his gay teenage son, Pablo, is badly beaten up by some homophobic youngsters, Juan, a withdrawn manager at a mannequin factory struggles between having to pay his son's exorbitant medical bills and his last attempt at making partner at his company. As he runs into dead-ends and unexpected betrayals, he'll discover that the world can be violent with him too. Juan has made too many mistakes, but his son can still be saved.
One of the examples of contemporary Chilean cinema, “Nunca Vas a Estar Solo”, while providing a harsh critique of society, also touches upon impunity, one of the biggest problems in our country as well. The violent targeting of groups marginalized by the society through impunity and the feeling of despair capture the audience, calling them to a challenging confrontation.
Over the years of 1864 through 1876, Stanisław Chlebowski served Sultan Abdülaziz in Istanbul as his court painter. As it was, Abdülaziz disposed of considerable artistic talents of his own, and he actively involved himself in Chlebowski’s creative process, suggesting ideas for compositions –such as ballistic pieces praising the victories of Turkish arms.
Objects also bear the memory of the geography to which they relate. Ceramics, with soil as their primary material, are directly linked to the land where they are produced: forging a direct relationship with earth, ceramics bear the memory of the soil where they come from.
Among the most interesting themes in the oeuvre of Prassinos are cypresses, trees, and Turkish landscapes. The cypress woods in Üsküdar he saw every time he stepped out on the terrace of their house in İstanbul or the trees in Petits Champs must have been strong images of childhood for Prassinos.
Tuesday - Saturday 10:00 - 19:00
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The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
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