We Can’t Go Home Again

  • September 21, 2014 / 14:00
  • September 27, 2014 / 15:00

Nicholas Ray, USA, 93’, 1973,
English with Turkish subtitles

A decade after quitting Hollywood, legendary director Nicholas Ray accepted a teaching contract at Harpur College in Binghamton, New York. We Can’t Go Home Again, is Ray’s enormously ambitious, profoundly personal, wildly experimental magnum opus.

Hommage to Nicholas Ray
Nicholas Ray spent the glory years of his career creating films that were dark, emotionally charged, and haunted by social misfits and bruised young people consumed by private anguish. Yet his work on-screen is more than matched by the passions and struggles of his personal story—one of the most dramatic lives of any major Hollywood filmmaker. Nicholas Ray passed away 35 years ago in 1979.

Screenings can be seen with a discounted museum ticket (8 TL). No reservations taken.

Style Wars

Style Wars

Everybody Street

Everybody Street

Bomb It

Bomb It

Bomb It 2

Bomb It 2

Exit Through  the Gift Shop

Exit Through the Gift Shop

Dogtown &  Z-Boys

Dogtown & Z-Boys

12 O’Clock Boys

12 O’Clock Boys

Inside Out:  The People’s Art Project

Inside Out: The People’s Art Project

Dark Days

Dark Days

Gunnin’  For That #1 Spot

Gunnin’ For That #1 Spot

Brooklyn

Brooklyn

Beats of Freedom

Beats of Freedom

Who Took the Bomp?<br/>Le Tigre on Tour

Who Took the Bomp?
Le Tigre on Tour

Control

Control

We Can’t  Go Home Again

We Can’t Go Home Again

Don’t Expect Too Much

Don’t Expect Too Much

Trailer

We Can’t Go Home Again

Rational Medicine in Byzantium

Rational Medicine in Byzantium

Byzantine medical art was grounded in the Greco-Roman medicine transmitted by Hippocrates and Galen and new concepts introduced by such physicians as Oribasios of Pergamon, Aetius of Amida, Alexander of Tralles and Paul of Aegina. 

At The Well

At The Well

Tadeusz Ajdukiewicz discovered the Orient in 1877, touring Syria, Egypt, Turkey, and the Crimea with Władysław Branicki. This experience made a profound impression on him, and he was to continuously revisit Eastern themes in his works for the rest of his life. 

Baby King

Baby King

1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.