Alice dos Reis, 2019
15’
Undercurrent is a science-fiction film about a marine biologist who is leading a project for the mapping of one of the deepest areas of the North Atlantic Ocean. Her project depends on the controversial use of a developing biotechnology that works directly with a species of krill that live at low depths.
Throughout months of observation and communication, the marine biologist develops a relationship of friendship and kin with the krill swarm, while observing their movements through the nano-cameras incorporated into their bodies as they slowly move through the deeper zones of the ocean. As the end of her project approaches, the biologist is faced with ethical questions regarding her relationship to the non-human and the systems that mediate their contact with humans.
Based on similar examples by the European painters in various collections, this work is one of the portraits of Mihrimah Sultan, who was depicted rather often in the 16th century.
In this piece, Żmurko presents an exotic image of a harem chamber, replete with gleaming fabrics and scattered jewels, as a setting for the statuesquely beautiful body of an odalisque murdered “at the order of the padishah”.
Knowledge of plants and the practice of healing are closely entwined. The toxic or hallucinogenic nature of some roots, and the dangers associated with picking them, conferred a mythical or magical character and power.
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