Alice dos Reis, 2019
15’
Undercurrent is a science-fiction film about a marine biologist who is leading a project for the mapping of one of the deepest areas of the North Atlantic Ocean. Her project depends on the controversial use of a developing biotechnology that works directly with a species of krill that live at low depths.
Throughout months of observation and communication, the marine biologist develops a relationship of friendship and kin with the krill swarm, while observing their movements through the nano-cameras incorporated into their bodies as they slowly move through the deeper zones of the ocean. As the end of her project approaches, the biologist is faced with ethical questions regarding her relationship to the non-human and the systems that mediate their contact with humans.
The man is depicted in three-quarters view, turning straight to the viewers with a penetrating glance. The background is grey, while the clothes, the hair, and cap are black.
When the Royal Academy of Arts offered Stephen Chambers the opportunity to produce new work for a focused exhibition in the Weston Rooms of the Main Galleries, Chambers turned to print and the possibilities it offered.
A Salon exhibition held in the Grand Palais in Paris on May 1, 1906 showcased an Ottoman painting. This was Osman Hamdi Bey’s famous “Tortoise Trainer”.
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