Ben Thorp Brown, 2019
17’34”                                     

Filmed in Richard and Dion Neutra’s VDL Research House II, on Silver Lake Reservoir, Los Angeles, Cura brings to life the principles developed by the Austrian-American architect, who saw architecture as a therapeutic tool. He designed projects in which each environmental element was carefully calculated to elicit sensory and emotional responses in people. The main protagonist of the film is a tortoise, the ancient reptile embodying Cura, the goddess of care, voiced by American vocalist Joan La Barbara. The tortoise guides us through the house, delivering a monologue that mixes mythology with passages from Neutra’s main philosophical text, Survival by Design (1954).

This film was created as part of The Arcadia Center, a speculative wellness centre for our time, and a training space for a world that needs to restore its empathic abilities.

Hammam

Hammam

Cura

Cura

Dark Origins

Dark Origins

Stream of Consciousness / The Caves of Hasankeyf

Stream of Consciousness / The Caves of Hasankeyf

Robocaliptic Manifesto: techno-politics for liberation

Robocaliptic Manifesto: techno-politics for liberation

Behind Shirley

Behind Shirley

Party on the CAPS

Party on the CAPS

Undercurrent

Undercurrent

Il Cavallo di Leonardo

Il Cavallo di Leonardo

In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier. 

At The Well

At The Well

Tadeusz Ajdukiewicz discovered the Orient in 1877, touring Syria, Egypt, Turkey, and the Crimea with Władysław Branicki. This experience made a profound impression on him, and he was to continuously revisit Eastern themes in his works for the rest of his life. 

Artist Nicola Lorini in Conversation

Artist Nicola Lorini in Conversation

Inspired by its Anatolian Weights and Measures Collection, Pera Museum presents a contemporary video installation titled For All the Time, for All the Sad Stones at the gallery that hosts the Collection. The installation by the artist Nicola Lorini takes its starting point from recent events, in particular the calculation of the hypothetical mass of the Internet and the weight lost by the model of the kilogram and its consequent redefinition, and traces a non-linear voyage through the Collection.