Robocaliptic Manifesto: techno-politics for liberation

Paula Gaetano Adi, 2020
15’ 

The video essay Robocaliptic Manifesto: techno-politics for liberation is an urgent call to endorse a robot ‘general strike’ that will overthrow the instrumental definition of both technology and humans, while disowning the ‘white man’ as the measure for the definition of humanity. The visual manifesto asserts the importance of unlearning the imperialisms performed by modern robotic and AI technologies that reinforce the racial and colonial logic that maintain social hierarchies and inequality, while upholding the techno-liberal project that promises revolutionary liberation from labour exploitation.

 

Fusing archival and found-footage material, animation, composite imagery and first-person voiceover, the film is divided into three acts: (I) Robots on Strike: Robocalypses Reenacted; (II) Robots Beyond Instrumentality: Humanity Reconquered, and (III) Robots in the Pluriverse: Animism Reloaded. All three acts touch on the central political challenges and aesthetic needs of our time –the decolonisation of the machine and an act of radical imagination that can reclaim pre-colonial ontologies, epistemologies and the technologies of non-destructive modes of life.

Hammam

Hammam

Cura

Cura

Dark Origins

Dark Origins

Stream of Consciousness / The Caves of Hasankeyf

Stream of Consciousness / The Caves of Hasankeyf

Robocaliptic Manifesto: techno-politics for liberation

Robocaliptic Manifesto: techno-politics for liberation

Behind Shirley

Behind Shirley

Party on the CAPS

Party on the CAPS

Undercurrent

Undercurrent

The Horse Figure in Mersad Berber’s Works

The Horse Figure in Mersad Berber’s Works

Mersad Berber (1940-2012), is one of the greatest and the most significant representatives of Bosnian-Herzegovinian and Yugoslav art in the second half of the 20th century. His vast body of expressive and unique works triggered the local art scene’s recognition into Europe as well as the international stage.

Between Impressionism and Orientalism

Between Impressionism and Orientalism

Pera Museum presents an exhibition of French artist Félix Ziem, one of the most original landscape painters of the 19th century. The exhibition Wanderer on the Sea of Light presents Ziem as an artist who left his mark on 19th century painting and who is mostly known for his paintings of Istanbul and Venice, where the city and the sea are intertwined. Through the exhibition, we will be sharing detailed information about the artist and the artworks. 

Nudes With Mirrors

Nudes With Mirrors

Although mythological themes are not commonly encountered in Turkish painting, it is possible to see variations of widespread themes such as the Venus at her Toilet.