Emmy Bacharach, 2020
6’
Designed as an immersive experience and film, this work explores the threat to Hasankeyf, an ancient city in south-eastern Turkey by the Ilisu Dam. Since the work’s creation in November 2019, the dam has caused the water levels of the Tigris river to rise and flood the town. The work represents Hasankeyf using photogrammetric material collected from the site, providing a unique record of the caves in digital form, and exploring the potential of virtual reality to create empathy across different societies, geographies and life forms.
Taking a non-anthropocentric viewpoint, the work explores the relationship of water to human settlement, focusing on the Tigris river, which made this fertile region home to the ancient civilisation of Mesopotamia. The water that has nourished the land and the people here for millennia is now being harnessed for hydroelectric power – an infrastructure project that will have massive ecological ramifications for the region.
The experience is composed of two elements: ‘Stream of Consciousness’, which follows the river through the mountainous landscape, and ‘The Caves of Hasankeyf’, which leads the viewer through a series of caves as they become submerged, the distorted noise of water creating an eerie post-human soundscape.
Created during Connect for Creativity residency in Istanbul, Turkey, in partnership with ATÖLYE and the British Council with the support of the European Union and Republic of Turkey as part of the Intercultural Dialogue programme.
Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.
About a year ago, Ela was dead for seven minutes. Death had come to her as she was watching her younger brother play gleefully in the sandpit at the park. A sudden flash that washed her world with a burning white light, a merciless roar resembling that of a monster…
Martín Zapater y Clavería, born in Zaragoza on November 12th 1747, came from a family of modest merchants and was taken in to live with a well-to-do aunt, Juana Faguás, and her daughter, Joaquina de Alduy. He studied with Goya in the Escuelas Pías school in Zaragoza from 1752 to 1757 and a friendship arose between them which was to last until the death of Zapater in 1803.
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