Presented in the scope of the 5th Istanbul Design Biennial, which is organised by the Istanbul Foundation for Culture and Arts, Empathy Sessions is a selection of film works that expand the notion of empathy. Created by artists and designers, they invite viewers to take on a diversity of perspectives – that of water, a tortoise, or even bacteria – and explore a multitude of spaces in the digital realm: from inside the earth to the deep ocean. Critical of existing and fictional technologies, these films shed light on the inherent biases and empathic opportunities of teleportation, facial recognition, artificial intelligence, robotics, biotechnology and augmented reality. The films are screened daily at 13:00 every Thursday and Sunday.
Free admissions. Drop in, no reservations.
Places are heterogeneous: A multiplicity of beings co-habit the place: humans, dogs, trees, worms, mushrooms... We are thrown-together and we will be, at different times and speeds, again dispersed. Our social setting is a bubble that draws together forms of life and materials, yet destined to burst out as we move on.
Gülşen and I met randomly at a film screening in Berlin in 2012. The coffee we drank in the foyer marked the beginning of a friendship and life-long collaboration between a gay cis-man of White Turk identity born in the West of Turkey, and a Kurdish cis-woman born in Dersim, who dedicated her life to activism and women’s work in Germany.
Chosen Families symposium, sets out from the question of ‘What happens when home ceases to be welcoming, when we leave home either voluntarily or involuntarily?’ and trails the quest for different kinds of belongings beyond family as an institution, the impact of experiences of conflict and resolution that emanates from such quests on the levels of society and sociability, as well as the role of affect in political activism.
Wilson’s installation, for the Istanbul Biennial, entitled Afro Kismet, includes a number of handcrafted items related to Ottoman culture and the roles of black people within it. Please join us in this conversation with the artist about the long history of black people in the region – many, if not most, with origins in the Ottoman slave trade – and today refer to themselves as Afro-Turks or Afro-Anatolians.
Pera Museum hosted the 5th Istanbul Design Biennial, organized by Istanbul Foundation for Culture and Arts (İKSV). For the 5th Istanbul Design Biennial, organised with the support of Republic of Turkey Ministry of Culture and Tourism and under the sponsorship of VitrA, curator Mariana Pestana teamed up with Sumitra Upham (Curator of Programmes) and Billie Muraben (Assistant Curator & Deputy Editor).
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
About a year ago, Ela was dead for seven minutes. Death had come to her as she was watching her younger brother play gleefully in the sandpit at the park. A sudden flash that washed her world with a burning white light, a merciless roar resembling that of a monster…
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 80 TL
Discounted: 40 TL
Groups: 60 TL (minimum 10 people)
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