Jawa El Khash, 2020
8’44”

Hammam is a virtual-reality experience that takes place in a bath house. It is an opportunity to experience the majestic and romantic nature of Islamic architecture through the spiritual elements of water and light. In Islamic architecture, light is a sublime element that enlightens the soul within the space, evoking a sense of sanctity as it seeps in through the ceiling, gifting every object it touches with a luminous golden presence. Here, sunlight acts as a mediator that ties two worlds together – the visible and the invisible, the human and the sublime, blurring the distinction between the interior and the exterior, the real and the imagined. The music of water accompanies you in the form of fountains and pools, rhythmically pulsating, reminding you of the flow of the invisible river of time. Unlike bathhouses in real life, this hammam is absent of a human spirit. The living beings in this world are butterflies, prayer beads, lanterns, fog, water and light. Through these symbolic elements, the limits of physical reality are transformed into a virtual environment that breathes surrealism and solitude.

Hammam

Hammam

Cura

Cura

Dark Origins

Dark Origins

Stream of Consciousness / The Caves of Hasankeyf

Stream of Consciousness / The Caves of Hasankeyf

Robocaliptic Manifesto: techno-politics for liberation

Robocaliptic Manifesto: techno-politics for liberation

Behind Shirley

Behind Shirley

Party on the CAPS

Party on the CAPS

Undercurrent

Undercurrent

Nudes With Mirrors

Nudes With Mirrors

Although mythological themes are not commonly encountered in Turkish painting, it is possible to see variations of widespread themes such as the Venus at her Toilet. 

Shaping Forms  The Migrant Body / Shaping Ideologies

Shaping Forms The Migrant Body / Shaping Ideologies

Constituting the entirety of all the perceived aspects of an object creating their own order, form not only contains visual elements and characteristics, but can also help elucidate concepts. 

Portrait of Martín Zapater (1797)

Portrait of Martín Zapater (1797)

Martín Zapater y Clavería, born in Zaragoza on November 12th 1747, came from a family of modest merchants and was taken in to live with a well-to-do aunt, Juana Faguás, and her daughter, Joaquina de Alduy. He studied with Goya in the Escuelas Pías school in Zaragoza from 1752 to 1757 and a friendship arose between them which was to last until the death of Zapater in 1803.