In The Well, Metin Erksan, one of the most important figures in Turkish cinema, strengthens his idiosyncratic visual and narrative esthetic and depicts the vengeful struggle of a woman against a boorish man who repeatedly abducts her because she turns down his marriage proposal. Inspired by a newspaper report and written by Erksan, the film focuses on the hierarchy of visuals that is intrinsic to a director’s point of view rather than the dialogue, as it examines violence against women. The narrative strength of The Well comes from its framing of the woman’s point of view, her strife, and the violence she endures.
Category: Architectural Utopias – Cinematic Dystopias
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.
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Tuesday - Saturday 10:00 - 19:00
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The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 100 TL
Discounted: 50 TL
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