In The Well, Metin Erksan, one of the most important figures in Turkish cinema, strengthens his idiosyncratic visual and narrative esthetic and depicts the vengeful struggle of a woman against a boorish man who repeatedly abducts her because she turns down his marriage proposal. Inspired by a newspaper report and written by Erksan, the film focuses on the hierarchy of visuals that is intrinsic to a director’s point of view rather than the dialogue, as it examines violence against women. The narrative strength of The Well comes from its framing of the woman’s point of view, her strife, and the violence she endures.
Category: Architectural Utopias – Cinematic Dystopias
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
Inspired by the exhibition And Now the Good News, which focusing on the relationship between mass media and art, we prepared horoscope readings based on the chapters of the exhibition. Using the popular astrological language inspired by the effects of the movements of celestial bodies on people, these readings with references to the works in the exhibition make fictional future predictions inspired by the horoscope columns that we read in the newspapers with the desire to receive good news about our day.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 100 TL
Discounted: 50 TL
Groups: 80 TL (minimum 10 people)