Two fugitives on the run and a helicopter on their tail... Whether because it is disguised as a cheap action/thriller or director Losey’s dedicated effort of revealing less, Figures in a Landscape has always been an overlooked work in the filmography of the master director. Whereas, in a 1971 article in the New York Times, film critic Vincent Canby wrote that Losey was “pursuing his own metaphysical concerns as in his films The Servant and The Accident.” For Losey, the film’s plot was a perfect allegory for tracing the race of survival between the hunter and the prey which is at the heart of nature. The name of the characters, the place, or details were insignificant. Figures in a Landscape is one of the stylistically most experimental and liberated works in Losey’s filmography.
Trailer
In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts.
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