Endless Journey

  • April 10, 2018 / 13:30

Director: Mehmet Güleryüz
With: Duygu Sağıroğlu, Ayla Algan, Haldun Dormen, Yalçın Tura
Turkey, 2017, 46’, color, Turkish with English subtitles
 
This documentary is about Duygu Sağıroğlu, who has contributed immensely to Turkish cinema and our world of thinking as a director, art director, screenwriter, and educator, who has been inspiring, witnessing, and shaping our artistic culture for almost 60 years now.
 

Category: Special Screenings

Endless Journey

Endless Journey

Miracle Worker 104 Years Old

Miracle Worker 104 Years Old

The Legend of Yaşar Kemal

The Legend of Yaşar Kemal

The Last of England

The Last of England

The Well

The Well

Ex Libris: The New York Public Library

Ex Libris: The New York Public Library

Eric Clapton: Life In 12 Bars

Eric Clapton: Life In 12 Bars

The San San Trilogy

The San San Trilogy

Figures In A Landscape

Figures In A Landscape

Love And Bullets

Love And Bullets

Mrs. Fang

Mrs. Fang

Symbols

Symbols

Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.

Marcel Duchamp’s Bicycle Wheel

Marcel Duchamp’s Bicycle Wheel

In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.