Director: Pier Paolo Pasolini
Cast: Totò, Ninetto Davoli, Femi Benussi
Italy, 91’, 1966, black & white
Italian with Turkish subtitles
The Hawks and the Sparrows, a wildly comic fable, stars the beloved stone faced clown Toto as an Italian everyman, and Ninetto Davoli as his good-natured but empty headed son. Pasolini uses a comic crow, which philosophizes amusingly and pointedly about the passing scene as a counterpoint to the performers, representing humanity, as they progress down the road of life. This tragic fable is a delight that captures the peril of two innocents caught in the paradox of Italian life between the Church and the State.
Trailer
Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.
In 1962 Philip Corner, one of the most prominent members of the Fluxus movement, caused a great commotion in serious music circles when during a performance entitled Piano Activities he climbed up onto a grand piano and began to kick it while other members of the group attacked it with saws, hammers and all kinds of other implements.
Among the most interesting themes in the oeuvre of Prassinos are cypresses, trees, and Turkish landscapes. The cypress woods in Üsküdar he saw every time he stepped out on the terrace of their house in İstanbul or the trees in Petits Champs must have been strong images of childhood for Prassinos.
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On Wednesdays, the students can
visit the museum free of admission.
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