Love and Anger: The Sequence of the Paper Flower

  • November 6, 2015 / 19:00
  • November 21, 2015 / 12:00

Director: Pier Paolo Pasolini
Cast: Ninetto Davoli, Rochelle Barbini, Aldo Puglisi
Italy, 12’, 1969, black & white

Italian with Turkish subtitles

The Paper Flower Sequence, from the anthology film Love and Anger, “[Pasolini’s film] is a reference to the Gospel parable called ‘The Barren Fig Tree,’ where Christ strikes down a fig tree because it isn’t bearing fruit in March, although it could hardly hav e known better. In the episode, Ninetto is shown happily walking down the via Nazionale in Rome, while in superimposition there are images of various things going on in the world, such as the bombing of Vietnam, of which the man remains blissfully ignorant and unaware.”

Accattone

Accattone

Oedipus Rex

Oedipus Rex

The Hawks and the Sparrows

The Hawks and the Sparrows

The Gospel According to St. Matthew

The Gospel According to St. Matthew

Love Meetings

Love Meetings

Mamma Roma

Mamma Roma

Love and Anger: The Sequence of the Paper Flower

Love and Anger: The Sequence of the Paper Flower

The Grim Reaper

The Grim Reaper

Notes Towards an African Orestes

Notes Towards an African Orestes

The Rage of Pasolini

The Rage of Pasolini

Prophecy: Pasolini's Africa

Prophecy: Pasolini's Africa

Postcard Nudes

Postcard Nudes

The various states of viewing nudity entered the Ottoman world on postcards before paintings. These postcards appeared in the 1890s, and became widespread in the 1910s, following the proclamation of the Second Constitutional Monarchy, traveling from hand to hand, city to city. 

Stefan Hablützel Look At Me!

Stefan Hablützel Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in “Look At Me!”.

Girl in a Blue Dress

Girl in a Blue Dress

This life-size portrait of a girl is a fine example of the British art of portrait painting in the early 18th century. The child is shown posing on a terrace, which is enclosed at the right foreground by the plinth of a pillar; the background is mainly filled with trees and shrubs.