Director: Pier Paolo Pasolini
Cast: Ninetto Davoli, Rochelle Barbini, Aldo Puglisi
Italy, 12’, 1969, black & white
Italian with Turkish subtitles
The Paper Flower Sequence, from the anthology film Love and Anger, “[Pasolini’s film] is a reference to the Gospel parable called ‘The Barren Fig Tree,’ where Christ strikes down a fig tree because it isn’t bearing fruit in March, although it could hardly hav e known better. In the episode, Ninetto is shown happily walking down the via Nazionale in Rome, while in superimposition there are images of various things going on in the world, such as the bombing of Vietnam, of which the man remains blissfully ignorant and unaware.”
The various states of viewing nudity entered the Ottoman world on postcards before paintings. These postcards appeared in the 1890s, and became widespread in the 1910s, following the proclamation of the Second Constitutional Monarchy, traveling from hand to hand, city to city.
The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in “Look At Me!”.
This life-size portrait of a girl is a fine example of the British art of portrait painting in the early 18th century. The child is shown posing on a terrace, which is enclosed at the right foreground by the plinth of a pillar; the background is mainly filled with trees and shrubs.
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Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 80 TL
Discounted: 40 TL
Groups: 60 TL (minimum 10 people)
