Director: Pier Paolo Pasolini
Cast: Franco Citti, Franca Pasut, Silvana Corsini
Italy, 120’, 1961, black & white
Italian with Turkish subtitles
The first of Pier Paolo Pasolini's highly acclaimed films and the winner of numerous film festival prizes, Accattone uses a talented cast to present a vivid picture of the Roman slums. Based on one of the filmmaker/poet's novels, this story of a pimp, his friends, his enemies and his girls is realism at its earthiness. It is brutal, realistic, un-sentimental and bustling with life. Particularly effective is the use of Johann Sebastian Bach on the soundtrack, which provides the ironic counterpoint of the world of prostitutes and street fighters.
Trailer
Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.
In 1962 Philip Corner, one of the most prominent members of the Fluxus movement, caused a great commotion in serious music circles when during a performance entitled Piano Activities he climbed up onto a grand piano and began to kick it while other members of the group attacked it with saws, hammers and all kinds of other implements.
Among the most interesting themes in the oeuvre of Prassinos are cypresses, trees, and Turkish landscapes. The cypress woods in Üsküdar he saw every time he stepped out on the terrace of their house in İstanbul or the trees in Petits Champs must have been strong images of childhood for Prassinos.
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