Director: Pier Paolo Pasolini
Cast: Enrique Irazoqui, Margherita Caruso, Susanna Pasolini
Italy, 137’, 1964, black & white
Italian with Turkish subtitles
The birth, life, teachings and death on the cross of Jesus Christ presented almost as a cinéma-vérité documentary. Pasolini's second feature seemed a strange choice for such a revolutionary director, but it is an attempt to take Christ out of the opulent church and present him as an outcast Italian peasant. Applying Neo-Realist methods, the director shot in Calabria, using the expressive faces of non-professionals including that of his mother as the Virgin Mary. The Gospel According to Saint Matthew is considered the greatest screen version of the "greatest story ever told" and this freshly remastered version brings the film to life in a away that has never been seen before. Nominated for Best Art Direction, Best Costume Design and Best Music at the 1967 Academy Awards.
Trailer
Over the years of 1864 through 1876, Stanisław Chlebowski served Sultan Abdülaziz in Istanbul as his court painter. As it was, Abdülaziz disposed of considerable artistic talents of his own, and he actively involved himself in Chlebowski’s creative process, suggesting ideas for compositions –such as ballistic pieces praising the victories of Turkish arms.
Mersad Berber was born in Bosanski Petrovac, Kingdom of Yugoslavia, on January 1st. He was the first son of Muhammed Berber and Sadika Berber, a well-known weaver and embroiderer. A year later, the family moved to Banja Luka after the city had suffered damage from the World War II.
Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts.
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