Director: Pier Paolo Pasolini
Cast: Gato Barbieri, Donald F. Moye, Marcello Melis
Italy, 65’, 1970, siyah-beyaz
İtalyanca Türkçe altyazıyla
Narrated in the style of a cinematic notebook, Pasolini’s interest in adapting the ancient tragedy for the screen using African actors is mixed with a stubbornly colonial look at realities in Tanzania, Uganda and Ethiopia. The documentary is a preparatory documentary to the "film to be made", and it could be described as a real notebook of moving images. It is divided into three different types of film material. The first is a travel documentary, shot during two stays in Uganda and Tanzania (respectively in December 1968 and in February 1969) integrated with several newsreels of the war in Biafra (1967/69); the goal was to track down the places, faces, objects to the film adaptation of the Oresteia by Aeschylus. The second is a debate / confrontation between Pasolini and some African students at the University "La Sapienza" of Rome on the idea of the Aeschylus tragedy setting, and the implications of post-colonial African affairs. The third is a sort of variation on the theme and consists of a jazz session performed by Yvonne Murray and Archie Savage at FolkStudio in Rome.
Félix Ziem is accepted as one of the well-known artists of the romantic landscape painting, and has been followed closely by art lovers and collectors of all periods since. He had a profound influence on generations of artists after him, and was the first artist whose works were acquired by the Louvre while he was still alive.
The exhibition “Look At Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection” examined portraiture, one of the oldest artistic genres, through a significant number of works of our times. Paintings, photographs, sculptures and videos shaped a labyrinth of gazes that invite spectators to reflect themselves in the social mirror of portraits.
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On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 25 TL
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