Director: Kira Muratova
Cast: Svetlana Kolenda, Renata Litvinova, Albina Skarga
Russia, 1994, 111’, color
Russian with Turkish subtitles
Passions is considered Muratova’s most unusual film, the one which, at least on the surface, seems to have the least to do with her considerable body of work; paradoxically, it was one of her most popular films in Russia, even winning the Nika (Russia's Oscar equivalent) for the Best Film of 1994. Circus performer Violetta is introduced to Sasha, a jockey who has been hospitalized after a bad fall. She's attracted to him, and even more to his circle of friends, becoming fascinated with their devotion to horses and the lore of horseracing. She decides to go visit her new friends on a stud farm in Central Asia; ostensibly for the purpose of finding a partner for a new horse act she hopes to bring to the circus, but perhaps more honestly just to learn more about them and their world. Laced with a slightly surreal quality, Passions is an effective and perceptive portrait of a kind of subculture, a world that seems to co-exist alongside everyday reality and to blend with it on occasion. Muratova has spoken about how much she enjoyed the chance to work extensively with animals - seemingly one of her own great passions- in the film.
“The portrait tells us that there is an inner and an outer dimension of the human condition; it provides—or should provide—information about both the physical and psychological character of an individual.”
The wind blows, rubbing against my legs made of layers of metal and wires, swaying the leaves of grass that have shot up from the cracks in the tarmac, and going off to the windows that look like the eyes of dead children in the wrecked buildings that seem to be everywhere as far as the eye can see.
Giacometti worked nonstop on his sculptures, either from nature or from memory, trying to capture the universal facial expressions.
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