The Asthenic Syndrome

  • March 9, 2016 / 19:00
  • March 19, 2016 / 14:00
  • March 26, 2016 / 18:00

Director: Kira Muratova
Cast: Olga Antonova, Sergei Popov, Galina Zakhurdaeva
Soviet Union, 1990, 153’, color, black & white
Russian with Turkish subtitles

"My country had reached bankruptcy and there was nowhere else for it to go.
Everything had to burst!"
Kira Muratova

 

 

Muratova's impressionistic portrait of the USSR reaching the end of its tether is for many the most powerful single achievement of the glasnost cinema. It was initially held up for distribution but then finally released and went on to win the Silver Bear at the 1990 Berlin Film Festival. The film begins with a story, shot in black and white, of a woman soon after the death of her husband. Yet what troubles her is not only his death; something larger, much darker and more powerful, is brewing inside her. Then one day it happens: it all comes out as she's riding a public bus. Her diatribe is astonishing - but then we discover that this has all been an introduction to the "real" film that Muratova wants to make. Mixing documentary, farce, melodrama, black comedy, social problem picture and psychological portrait - along with a few other elements - The Asthenic Syndrome is a unique, one-of-a-kind film, an epic yet deeply personal response to Soviet life and history.

Brief Encounters

Brief Encounters

Passions

Passions

The Asthenic Syndrome

The Asthenic Syndrome

The Tuner

The Tuner

Three Stories

Three Stories

Chekhov's Motifs

Chekhov's Motifs

Venuses Throughout History

Venuses Throughout History

José Sancho does not conceal the voluptuousness of his female torsos; he highlights it. These torsos are symmetrical from front, but on the other hand, from the side, the juxtaposition of concave and convex forms creates dynamism.

Paris Without End (1959-1965)

Paris Without End (1959-1965)

In the 60s, Alberto Giacometti paid homage to Paris, the city where he lived, by drawing its streets, cafés, and more private places like his studio and the apartment of his wife, Annette. These drawings would make up his last book, Paris sans fin (Paris Without End). 

Janine Antoni Look At Me!

Janine Antoni Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in Look At Me!. This time we are sharing about Janine Antoni , exhibited under the section “The Conventions of Identitiy”!