Director: Kira Muratova
Cast: Olga Antonova, Sergei Popov, Galina Zakhurdaeva
Soviet Union, 1990, 153’, color, black & white
Russian with Turkish subtitles
"My country had reached bankruptcy and there was nowhere else for it to go.
Everything had to burst!"
Kira Muratova
Muratova's impressionistic portrait of the USSR reaching the end of its tether is for many the most powerful single achievement of the glasnost cinema. It was initially held up for distribution but then finally released and went on to win the Silver Bear at the 1990 Berlin Film Festival. The film begins with a story, shot in black and white, of a woman soon after the death of her husband. Yet what troubles her is not only his death; something larger, much darker and more powerful, is brewing inside her. Then one day it happens: it all comes out as she's riding a public bus. Her diatribe is astonishing - but then we discover that this has all been an introduction to the "real" film that Muratova wants to make. Mixing documentary, farce, melodrama, black comedy, social problem picture and psychological portrait - along with a few other elements - The Asthenic Syndrome is a unique, one-of-a-kind film, an epic yet deeply personal response to Soviet life and history.
I remembered a game as I was waiting in the passenger lounge for the ferry to arrive just a few minutes ago. A game we used to play at home when I was young, in my country that is very far away from here, a relic from the distant past; I don’t even remember how we used to play it. The kind of game that makes me feel a thousand times lonelier than I already am among the crowd waiting to get on the ferry.
John Frederick Lewis is considered one of the most important British Orientalist artists of the Victorian era. Pera Museum exhibited several of Lewis’ paintings as part of the Lure of the East exhibition in 2008 organized in collaboration with Tate Britain.
I think it was Frank Zappa – though others claim it was Laurie Anderson – who said in an interview that ‘writing on music is much like dancing on architecture’.
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