Chekhov's Motifs

  • March 13, 2016 / 14:00

Director: Kira Muratova
Cast: Sergey Bekhterev, Nina Ruslanova, Natalya Buzko
Russia, Ukraine, 2002, 120’, black & white

Russian with Turkish subtitles

Based on two works by Chekhov, the play Tatiana Repina and the short story Difficult People, Chekhov's Motifs is a fascinating diptych, two parts that share characters but on the surface little else. The film begins as a young man returns to his small village to borrow money, a request that sets off a bitter confrontation between him and his father. The long-suffering wife (and mother) can do little but look on. Kira Muratova powerfully captures the emotional rawness of this generational confrontation, exposing a wide array of issues and prejudices. After the son runs out of the house, he walks into a wedding service taking place in the local Orthodox Church. The groom is an overweight opera singer, and the bride and her family are grotesque examples of Russia's nouveaux riches. Yet the point here is less satire perhaps than Muratova's meticulous rendition of the entire ceremony, refusing the spectator a comfortable distance from which to judge these characters by bringing us into the world of the film itself.

Brief Encounters

Brief Encounters

Passions

Passions

The Asthenic Syndrome

The Asthenic Syndrome

The Tuner

The Tuner

Three Stories

Three Stories

Chekhov's Motifs

Chekhov's Motifs

Today's Stories: Coal <br>Pelin Buzluk

Today's Stories: Coal
Pelin Buzluk

Inspired by the exhibition Istanbuls Today, Today's Stories series starts with Pelin Buzluk's story "Coal"! TThis series gathers short stories written by authors encouraged by the photographs in the exhibition.

Niko Pirosmani

Niko Pirosmani

“A nameless Egyptian fresco, an African idol or a vase from Crete: we should behold Pirosmani’s art among them. Only this way it is possible to conceive it genuinely … …You see Pirosmani – you believe in Georgia”.
Grigol Robakidze

At The Well

At The Well

Tadeusz Ajdukiewicz discovered the Orient in 1877, touring Syria, Egypt, Turkey, and the Crimea with Władysław Branicki. This experience made a profound impression on him, and he was to continuously revisit Eastern themes in his works for the rest of his life.