The Tuner

  • March 6, 2016 / 17:00
  • March 11, 2016 / 20:00

Director: Kira Muratova
Cast: Georgiy Deliev, Alla Demidova, Renata Litvinova
Russia, Ukraine, 2004, 154’, black & white

Russian with Turkish subtitles

A 'criminal melodrama' loosely based on the memoirs of a turn-of-the-century Russian detective, The Tuner is every bit as mesmerizing as Muratova's earlier films. Andrey, an intelligent but penniless piano tuner and music student, is in love with the stunning and extravagant Lina. Andrey struggles valiantly to earn enough money to support her tastes, but his honest wage-slave jobs fall short of satisfying Lina's frivolous desires. As the pressure to keep his muse in the manner to which she is accustomed mounts, Andrey turns to crime, using his expert computer skills to exploit an aristocratic elderly woman. In The Tuner, outrageous, bizarre situations create a believable and fascinating study of the intricacies of human behavior and the film's in-depth character analyses amuse while never losing their poignancy or impact. An elegant, sophisticated and irresistible recital, this is breathtaking filmmaking from a true artist. - Dimitri Eipides, 2004 Toronto International Film Festival.

Brief Encounters

Brief Encounters

Passions

Passions

The Asthenic Syndrome

The Asthenic Syndrome

The Tuner

The Tuner

Three Stories

Three Stories

Chekhov's Motifs

Chekhov's Motifs

Loading Limit

Loading Limit

Pera Museum presented a talk on Nicola Lorini’s video installation For All the Time, for All the Sad Stones, bringing together the artists Nicola Lorini, Gülşah Mursaloğlu and Ambiguous Standards Institute to focus on concepts like measuring, calculation, standardisation, time and change.

Transition to Sculpture

Transition to Sculpture

If Manolo Valdés’s paintings convey a search for materiality, his sculpture does so even more. Today, sculpture has taken over most of his workspace, his time, and his efforts.

Marcel Duchamp’s Bicycle Wheel

Marcel Duchamp’s Bicycle Wheel

In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.