The Tuner

  • March 6, 2016 / 17:00
  • March 11, 2016 / 20:00

Director: Kira Muratova
Cast: Georgiy Deliev, Alla Demidova, Renata Litvinova
Russia, Ukraine, 2004, 154’, black & white

Russian with Turkish subtitles

A 'criminal melodrama' loosely based on the memoirs of a turn-of-the-century Russian detective, The Tuner is every bit as mesmerizing as Muratova's earlier films. Andrey, an intelligent but penniless piano tuner and music student, is in love with the stunning and extravagant Lina. Andrey struggles valiantly to earn enough money to support her tastes, but his honest wage-slave jobs fall short of satisfying Lina's frivolous desires. As the pressure to keep his muse in the manner to which she is accustomed mounts, Andrey turns to crime, using his expert computer skills to exploit an aristocratic elderly woman. In The Tuner, outrageous, bizarre situations create a believable and fascinating study of the intricacies of human behavior and the film's in-depth character analyses amuse while never losing their poignancy or impact. An elegant, sophisticated and irresistible recital, this is breathtaking filmmaking from a true artist. - Dimitri Eipides, 2004 Toronto International Film Festival.

Brief Encounters

Brief Encounters

Passions

Passions

The Asthenic Syndrome

The Asthenic Syndrome

The Tuner

The Tuner

Three Stories

Three Stories

Chekhov's Motifs

Chekhov's Motifs

Janine Antoni Look At Me!

Janine Antoni Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in Look At Me!. This time we are sharing about Janine Antoni , exhibited under the section “The Conventions of Identitiy”!

The Welcoming of Venetian Balios to Ottoman Lands

The Welcoming of Venetian Balios to Ottoman Lands

The series of paintings depicting the audience ceremonies of European ambassadors hold a unique place among the works of Jean-Baptiste Vanmour of Valenciennes, who lived in İstanbul from 1699 until his death in 1737.

Chlebowski’s Sultan

Chlebowski’s Sultan

This is one of Stanisław Chlebowski’s larger canvasses dealing with themes other than battles; only Ottoman Life at the Sweet Waters now at the Istanbul Military Museum can compare with it in size.