Director: Kira Muratova
Cast: Vladimir Vysotskii, Kira Muratova, Nina Ruslanova, Elena Bazilskaya, Aleksei Glazyrin
Soviet Union, 1968, 96’, black & white
Russian with Turkish subtitles
For her astonishing debut feature, Kira Muratova cast herself as Valentina, the head of a regional housing office in a backwater Soviet-era town. For some time, Valentina has been carrying on an affair with Maxim, a free-spirited geologist who occasionally passes through town on prospecting missions. She hires a country girl, Nadya, as a housemaid, not knowing she had a relationship with Maxim during one trip. The lives, memories, and desires of these characters are woven together through Muratova's subtle and intricate montage, showing through flashbacks each woman's idealization of Maxim - played by Vladimir Vysotsky, a performer of anthemic underground songs hailed then as the "Russian Bob Dylan." Banned and shelved til glasnost, Brief Encounters rankled the censors with its freewheeling morals and tough look at everyday Soviet life. Muratova unflinchingly records the dismal housing conditions, lack of public facilities, and growing desperation of the young workers who have abandoned the countryside to try their luck in the city.
As artisanship became a part of artistic practices with the blurring of art and craft, the use of traditional motifs has also flourished. In this context, how are these motifs currently structured or designed beyond their traditional connotations?
A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.
Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humourous eye over ‘historical’ events, both imagined and factual.
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