8 ½

  • November 30, 2016 / 19:00

Director: Federico Fellini
Cast: Marcello Mastroianni, Anouk Aimée, Sandra Milo, Claudia Cardinale, Rossella Falk, Barbara Steele
Italy, France, 1963, 138’,  black & white, Italian with Turkish subtitles 

8 1/2 is a 1963 film written and directed by Federico Fellini. The world-famous Italian director Guido Anselmi is smack in the middle of a creative and personal crisis. He is working on a number of new film projects, but his childhood memories and sexual fantasies won’t leave him alone. The director has a hard time finding meaning in life and cannot begin working on his new film. He inevitably turns inward to reassess the key events in his life: his childhood, the church, his relations with his family, the women, and a myriad of nightmares accompanying each one of these... Maybe his new film should be based on this material. Guido begins to contemplate the absurdity of his profession, his relation with art and the opposite sex, and the meaning of human existence. The film moves through the tunnels of existence and human nature, addressing with great aesthetical grace the fundamental areas of interest for cinema in terms of the relation between society and the inner world of the individual.

Battleship Potemkin

Battleship Potemkin

Le Mépris

Le Mépris

Rocco and His Brothers

Rocco and His Brothers

Hiroshima mon amour

Hiroshima mon amour

L’Atalante

L’Atalante

Hope

Hope

The Conformist

The Conformist

Bride

Bride

Persona

Persona

Metropolis

Metropolis

The Mirror

The Mirror

8 ½

8 ½

Salvatore Giuliano

Salvatore Giuliano

Trailer

8 ½

The Golden Horn

The Golden Horn

When regarding the paintings of Istanbul by western painters, Golden Horn has a distinctive place and value. This body of water that separates the Topkapı Palace and the Historical Peninsula, in which monumental edifices are located, from Galata, where westerners and foreign embassies dwell, is as though an interpenetrating boundary.

Midnight Stories: COGITO <br> Tevfik Uyar

Midnight Stories: COGITO
Tevfik Uyar

He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.

Today's Stories: Cihangir <br>Özge Baykan Calafato

Today's Stories: Cihangir
Özge Baykan Calafato

Inspired by the exhibition Istanbuls TodayToday's Stories series continues with Özge Baykan Calafato's story "Cihangir"! This series gathers short stories written by authors encouraged by the photographs in the exhibition.