Director: Federico Fellini
Cast: Marcello Mastroianni, Anouk Aimée, Sandra Milo, Claudia Cardinale, Rossella Falk, Barbara Steele
Italy, France, 1963, 138’, black & white, Italian with Turkish subtitles
8 1/2 is a 1963 film written and directed by Federico Fellini. The world-famous Italian director Guido Anselmi is smack in the middle of a creative and personal crisis. He is working on a number of new film projects, but his childhood memories and sexual fantasies won’t leave him alone. The director has a hard time finding meaning in life and cannot begin working on his new film. He inevitably turns inward to reassess the key events in his life: his childhood, the church, his relations with his family, the women, and a myriad of nightmares accompanying each one of these... Maybe his new film should be based on this material. Guido begins to contemplate the absurdity of his profession, his relation with art and the opposite sex, and the meaning of human existence. The film moves through the tunnels of existence and human nature, addressing with great aesthetical grace the fundamental areas of interest for cinema in terms of the relation between society and the inner world of the individual.
Each memory tells an intimate story; each collection presents us with the reality of containing an intimate story as well. The collection is akin to a whole in which many memories and stories of the artist, the viewer, and the collector are brought together. At the heart of a collection is memory, nurtured from the past and projecting into the future.
Nam June Paik was video art’s pioneer (1932 –2006). It is interesting that while Warhol and Nameth were experimenting with psychedelic happenings that combined rock, film and performance, the video art pioneers Nam June Paik, Stephen Beck, Eric Siegel and Steina Vasulka were researching in a similar direction.
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