40 Days of Silence

  • April 5, 2017 / 19:00
  • April 7, 2017 / 11:00

Director: Saodat Ismailova
Cast: Rukhshona Sattarova, Barohat Shukurova, Saodat Rahimova, Farida Olimova
Uzbekistan, The Netherlands, Germany, France, 2014, 88’, color
Tadjik with Turkish and English subtitles

Chilla focuses on a family living in rural Uzbekistan, surrounded in isolation by a striking, mountainous terrain. In this matriarchal home, men are inexplicably removed. Each of the four women portrayed find themselves at turning points–of one sort or another–in their lives. Director Ismailova offers a contemplative view into an extraordinarily intimate female world. Her film is a portrait of four individuals closely tied to one another, and the solitary process by which each builds their own identity. It is a testament to the human will towards self-determination, told through carefully composed, sweeping imagery.

Ta’ang

Ta’ang

In Vanda’s Room

In Vanda’s Room

Neighboring Sounds

Neighboring Sounds

The White Ribbon

The White Ribbon

40 Days of Silence

40 Days of Silence

The Apple

The Apple

Youkali

Youkali

Toponymy

Toponymy

What Now? Remind Me

What Now? Remind Me

Dogville

Dogville

a good neighbor Shorts

a good neighbor Shorts

Giacometti: Early Works

Giacometti: Early Works

Organized in collaboration with the Giacometti Foundation, Paris, the exhibition explores Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece. Devoted to Giacometti’s early works, the first part of the exhibition demonstrates the influence of Giovanni Giacometti, the father of the artist and a Swiss Post-Impressionist painter himself, on Giacometti’s output during these years and his role in his son’s development. 

Midnight Stories: COGITO <br> Tevfik Uyar

Midnight Stories: COGITO
Tevfik Uyar

He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.

Jean-Michel Basquiat Look At Me!

Jean-Michel Basquiat Look At Me!

The exhibition “Look At Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection” examined portraiture, one of the oldest artistic genres, through a significant number of works of our times. Paintings, photographs, sculptures and videos shaped a labyrinth of gazes that invite spectators to reflect themselves in the social mirror of portraits.