Director: Jonathan Perel
Argentine, 2015, 82’, color
Spanish with Turkish and English subtitles
In the 1970s, Tucuman province in the northwest of Argentina was site to an armed rebellion of the rural working class. The uprising was violently dismantled by the country’s military, and to avoid any similar revolt in the future, the government relocated surviving indigenous peoples to four newly built settlements. It is in these four villages–each named after a different soldier who fell in the military response–that the film Toponimia takes place. Perel’s portrait offers only glimpses of the current inhabitants, their primary presence lying in the audio, while the camera records the fragile infrastructure that remains from the rapid planning forty years before.
Three figures in Eastern dress are shown in repose against an exotic landscape, smoking pipes and playing mangala. Inventories of the royal collections from 1739 identify the members of this group as the royal eunuch Matthias and two odalisques.
Is Istanbul a single city? Will Istanbul too, be one day one day divided into different sections, and numbered like the arrondisements of Paris? These are tough questions indeed!
“The portrait tells us that there is an inner and an outer dimension of the human condition; it provides—or should provide—information about both the physical and psychological character of an individual.”
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