Director: Michael Haneke
Cast: Ulrich Tukur, Christian Friedel, Leonie Benesch, Ursina Lardi, Michael Kranz
Austria, France, 2009, 145’,black & white
German with Turkish and English subtitles
The White Ribbon describes the community of a small German village in the year immediately preceding World War I. This collective treats lone characters harshly. Punishment within families is gruesomely banal. People also, inexplicably, disappear. Through these calculations of invisible violence, collective silence and the uncomfortable question of culpability, Haneke examines a – dramatized – historical moment in which a long and complex ambivalence between Germans and their sense of national identity is rooted.
Mersad Berber (1940-2012), is one of the greatest and the most significant representatives of Bosnian-Herzegovinian and Yugoslav art in the second half of the 20th century. His vast body of expressive and unique works triggered the local art scene’s recognition into Europe as well as the international stage.
Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.
When the Royal Academy of Arts offered Stephen Chambers the opportunity to produce new work for a focused exhibition in the Weston Rooms of the Main Galleries, Chambers turned to print and the possibilities it offered.
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