What Now? Remind Me

Director: Joaquim Pinto
Portugal, 2013, 164’, color
Portuguese with Turkish and English subtitles

The director Joaquim Pinto has been living with HIV and VHC for nearly two decades. This video journal chronicles one year of his participation in experimental clinical studies, during which he undergoes treatments with toxic, mind- altering pharmaceutical drugs. Pinto’s reflections on memory, epidemic, and globalization are articulated in contrast to the film’s setting of a remote, rural home that the filmmaker shares with his partner. What Now? Remind Me is a tribute to love, dissent and friendships both past and present.

Ta’ang

Ta’ang

In Vanda’s Room

In Vanda’s Room

Neighboring Sounds

Neighboring Sounds

The White Ribbon

The White Ribbon

40 Days of Silence

40 Days of Silence

The Apple

The Apple

Youkali

Youkali

Toponymy

Toponymy

What Now? Remind Me

What Now? Remind Me

Dogville

Dogville

a good neighbor Shorts

a good neighbor Shorts

Paris Without End (1959-1965)

Paris Without End (1959-1965)

In the 60s, Alberto Giacometti paid homage to Paris, the city where he lived, by drawing its streets, cafés, and more private places like his studio and the apartment of his wife, Annette. These drawings would make up his last book, Paris sans fin (Paris Without End). 

Louis Isadore Kahn (1901-1974)

Louis Isadore Kahn (1901-1974)

Louis Isadore Kahn was born in 1901 to a Jewish family in Pärnu, Russia (today Estonia), far from Philadelphia where he spent his whole life, worked, fell in love, and breathed his last. Kahn family emigrated to America when he was five years old. 

Janine Antoni Look At Me!

Janine Antoni Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in Look At Me!. This time we are sharing about Janine Antoni , exhibited under the section “The Conventions of Identitiy”!