Director: Wang Bing
Hong Kong, France 2016, 147’, color
Ta’ang language; with Turkish and English subtitles
A civil war has been raging for decades in Myanmar’s Kokang region, which is home to the Ta’ang people. When their lives are once again in danger in spring 2015, it is mostly the women and children who flee over the border to China. Wang Bing accompanies a few of these communities thrown together by fate, at once modern and bound to traditions. They wander the remote mountains with few possessions, and camp in makeshift compounds, telling each other stories by the campfire at night. Wang Bing presents us with a picture of a refugee crisis that has received very little attention in the rest of the world.
I think it was Frank Zappa – though others claim it was Laurie Anderson – who said in an interview that ‘writing on music is much like dancing on architecture’.
Over the years of 1864 through 1876, Stanisław Chlebowski served Sultan Abdülaziz in Istanbul as his court painter. As it was, Abdülaziz disposed of considerable artistic talents of his own, and he actively involved himself in Chlebowski’s creative process, suggesting ideas for compositions –such as ballistic pieces praising the victories of Turkish arms.
The Suna and İnan Kıraç Foundation’s Orientalist Painting Collection includes two children’s portraits that are often featured in exhibitions on the second floor of the Pera Museum. These portraits both date back to the early 20th century, and were made four years apart. One depicts Prince Abdürrahim Efendi, son of Sultan Abdulhamid II, while the figure portrayed on the other is Nazlı, the daughter of Osman Hamdi Bey.
Tuesday - Saturday 10:00 - 19:00
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The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
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