Bomb It

  • September 20, 2014 / 13:00
  • September 28, 2014 / 14:00

Jon Reiss, USA, 93’, 2007,
English with Turkish subtitles

Bomb It is a documentary from award-winning director Jon Reiss investigating the most subversive and controversial art form currently shaping international youth culture: graffiti. Through interviews and guerilla footage of graffiti writers in action on 5 continents, Bomb It tells the story of graffiti from its origins in prehistoric cave paintings thru its notorious explosion in New York City during the 70′s and 80′s, then follows the flames as they paint the globe. Featuring old school legends and current favorites such as Taki 183, Cornbread, Stay High 149, T-Kid, Cope 2, Zephyr, Revs, Os Gemeos, KET, Chino, Shepard Fairey, Revok, and Mear One, this cutting edge documentary tracks down today’s most innovative and pervasive street artists as they battle for control over the urban visual landscape. You’ll never look at public space the same way again.

Screenings can be seen with a discounted museum ticket (8 TL). No reservations taken.

Style Wars

Style Wars

Everybody Street

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Bomb It

Bomb It

Bomb It 2

Bomb It 2

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Exit Through the Gift Shop

Dogtown &  Z-Boys

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12 O’Clock Boys

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Inside Out:  The People’s Art Project

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Beats of Freedom

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Who Took the Bomp?<br/>Le Tigre on Tour

Who Took the Bomp?
Le Tigre on Tour

Control

Control

We Can’t  Go Home Again

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Don’t Expect Too Much

Don’t Expect Too Much

Trailer

Bomb It

Doublethinking About Big Brother! <br> 11 Quotes from 1984

Doublethinking About Big Brother!
11 Quotes from 1984

Our Doublethink Double vision exhibition’s title alludes to George Orwell’s seminal work 1984 and presents a selection that includes Tracey Emin, Marcel Dzama, Anselm Kiefer, Bruce Nauman, Raymond Pettibon, and Thomas Ruff, as well as Turkish artists, tracing the steps of pluralistic thought through works of art.

The Vanity of Small Differences

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The Vanity of Small Differences is a series of six large scale tapestries, completed in 2012, which explore British fascination with taste and class, and can be seen in the Grayson Perry: Small Differences exhibition. 

Reminiscences of Motifs

Reminiscences of Motifs

As artisanship became a part of artistic practices with the blurring of art and craft, the use of traditional motifs has also flourished. In this context, how are these motifs currently structured or designed beyond their traditional connotations?