Director: Wang Bing
Hong Kong, France 2016, 147’, color
Ta’ang language; with Turkish and English subtitles
A civil war has been raging for decades in Myanmar’s Kokang region, which is home to the Ta’ang people. When their lives are once again in danger in spring 2015, it is mostly the women and children who flee over the border to China. Wang Bing accompanies a few of these communities thrown together by fate, at once modern and bound to traditions. They wander the remote mountains with few possessions, and camp in makeshift compounds, telling each other stories by the campfire at night. Wang Bing presents us with a picture of a refugee crisis that has received very little attention in the rest of the world.
Inspired by the exhibition And Now the Good News, which focusing on the relationship between mass media and art, we prepared horoscope readings based on the chapters of the exhibition. Using the popular astrological language inspired by the effects of the movements of celestial bodies on people, these readings with references to the works in the exhibition make fictional future predictions inspired by the horoscope columns that we read in the newspapers with the desire to receive good news about our day.
I walk over rocks hot as iron under the September sun. I can make out a few lines in the distance, and a few cracked rocks, but apart from those, not a single tree, not one plant
French artist Félix Ziem is one of the most original landscape painters of the 19thcentury. The exhibition Wanderer on the Sea of Light presents Ziem as an artist who left his mark on 19th century painting and who is mostly known for his paintings of Istanbul and Venice, where the city and the sea are intertwined.
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