Director: Wang Bing
Hong Kong, France 2016, 147’, color
Ta’ang language; with Turkish and English subtitles
A civil war has been raging for decades in Myanmar’s Kokang region, which is home to the Ta’ang people. When their lives are once again in danger in spring 2015, it is mostly the women and children who flee over the border to China. Wang Bing accompanies a few of these communities thrown together by fate, at once modern and bound to traditions. They wander the remote mountains with few possessions, and camp in makeshift compounds, telling each other stories by the campfire at night. Wang Bing presents us with a picture of a refugee crisis that has received very little attention in the rest of the world.
Our institutions have been stuck on linear Neo-Platonic tracks for 24 centuries. These antiquated processes of deduction have lost their authority. Just like art it has fallen off its pedestal. Legal, educational and constitutional systems rigidly subscribe to these; they are 100% text based.
The various states of viewing nudity entered the Ottoman world on postcards before paintings. These postcards appeared in the 1890s, and became widespread in the 1910s, following the proclamation of the Second Constitutional Monarchy, traveling from hand to hand, city to city.
Beliefs surrounding illness and healing in Byzantium stem from the myths, astrology, and magic practiced around the Mediterranean by Jews, Egyptians, Mesopotamians, and Greeks.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 200 TL
Discounted: 100 TL
Groups: 150 TL (minimum 10 people)
